Tuesday 6 December 2011

Sacred Signs

The little book Sacred Signs by Romano Guardini is a model for a kind of mystagogical catechesis that is sorely lacking in today's Church. In order to appreciate the sacraments and sacramentals, we need to see that they employ a symbolic language that has much wider applications. This can help us see the whole world in a different way, as linked together not just by the causality investigated by modern science, but by analogies and resemblances that add other layers of meaning, and which speak of the "vertical causation" by which God reveals himself in creation. The translator of the book, Grace Branham, in her excellent Preface writes:
'Guardini's "Sacred Signs" was designed to begin our reeducation. It assumes that correspondence between man and nature, matter and meaning, which is the basis of the Sacramental System and made possible the Incarnation. Man, body and soul together, is made in the image and likeness of God. His hand, like God's, is an instrument of power. In the Bible "hand" means power. Man's feet stand for
something also he shares with God, as does his every limb, feature and organ. The writers of the Bible had an inward awareness of what the body means. As the head and the heart denote wisdom and love, so do the 'bones,' 'reins,' and 'flesh' signify some aspect of God written into our human body. The contemplation of the body of Christ should teach us what this deeper meaning is.  
'The next step in our reeducation after the symbolism of the body, which once pointed out we instinctively perceive, is for modern man something of a leap. He will have to abandon or leave to one side the notions instilled into him by modern science. Symbolically, if not physically, nature is composed of only four elements: earth, air, water and fire. Earth, humble, helpless earth, stands for man, and water, air, and fire for the gifts from the sky that make him live and fructify. Combined in sun, moon, and stars, they represent Christ, the Church and the Saints, though perhaps rather by allegory than symbolism. The sea signifies untamed and lawless nature, the primordial chaos; the mountains signify the faithfulness of God.  
'Objects, things, are not the only symbols. Their use and function, again stretching the term, is a sort of immaterial symbol. The positions and movements of human hands and feet may symbolize God's action. Direction, dimension, are also symbolic, and so are those two philosophical puzzles, time and space, which provide the conditions of human action and progress. The course of the sun is a sign to us of time; by prayer we eternalize time; and the church breaks up the sun's daily course into three or seven canonical hours of prayer. Its yearly course, which governs the seasons and their agricultural operations, signifies to us, as it has to religious man from the beginning, life, death and resurrection, and in revealed history God has accommodated the great works of our redemption to the appropriate seasons. 
'The last field of symbolism the sacred signs indicate to us is one that causes us no surprise. Art from the beginning has been symbolic. The Temple of Solomon like the "heathen" temples was built to symbolize the earth, and Christian Churches are (or were) built upon the model of the Temple in Jerusalem and of its exemplar the Temple in Heaven from which the earth was modeled. The axis of a Christian Church, its geometric shape and numerical proportions, the objects used in its worship, the disposition of its windows, its ornamentation to the last petal or arc, all carry our minds to the divine meaning behind the visible form.'
Illustration: The Oxford Oratory restored.

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